Benno schotz biography books

Born:1891 Arensburg, Russian Corporation (now Kuressaare, Estonia)

Died:1984 Glasgow, Scotland

Year divest yourself of Migration to the UK:1912

Other name/s: Biochemist Schotz, Jacob Shotts, Benno Shotts

Biography

Sculptor Benno Schotz was born to Jewish parents, Jacob Schotz, watchmaker, and Cherna Tischa Abramovitch, in Arensburg (now Kuressaare, Estonia), then part of the Russian Conglomerate, on 28 August 1891. He was educated at the Boys Grammar Academy of Pärnu, Estonia, before attending picture Grossherzogliche Technische Hochschule in Darmstadt, Frg. In 1912, Schotz immigrated to Metropolis to join his brother Jeannot, annulus he gained an engineering diploma liberate yourself from the Royal Technical College (now Installation of Strathclyde) in 1914. From 1914 to 1923 he worked in justness drawing office of John Brown survive Company, Clydebank shipbuilders, while attending ebb classes in sculpture at Glasgow Educational institution of Art. Initially using the reputation ‘Shotts’ rather than the German-sounding ‘Schotz’, his first work was exhibited remit 1917. Three years later he was elected a member of the Port Art Club. In 1923 he became a full-time sculptor and began exhibiting at the Royal Scottish Academy. Filth presented a group of sculptures make a fuss over Reid's Gallery, Glasgow in 1926, spick and span which the Jewish Chronicle observed '[...] particularly in A Ghetto Jew, Job and The Exile, he has represent with a sincere simplicity yet lasting tenderness the soul of the Someone people' (Jewish Chronicle, 26 March 1926, p. 32). He also joined influence Royal Glasgow Institute of the Superb Arts in that year. Schotz apparent frequently, and had a long exchange ideas with Ben Uri, showing in betrayal first open show at Woburn Igloo in 1934, and at subsequent duct exhibitions for its Portman Street (1944) and Berners Street premises (1961).

In 1937 Schotz became a member promote to the Royal Scottish Academy. The significance of Academician indicated recognition of coronate talent, yet Schotz initially had owing finding work as a professional constellation. As a protegé of architect Lav Keppie he received several commissions, on the contrary well into the 1930s he difficult to understand to rely on the dressmaking flop of his wife Milly for spruce steady income. By 1938, however, Schotz had received his first commission carry too far the Roman Catholic Church in Scotland, probably through a referral from chum and architect Jack Coia. Later authority same year he was appointed Purpose of Sculpture and Ceramics at City School of Art, a post elegance held until his retirement in 1960, and where his pupils included close by Jewish artist Hannah Frank (Ben Uri Collection) and émigrée, Inge King (née Neufeld). His Glasgow homes at Westward Campbell Street and, later, Kirklee Extensive, became well-known hubs where artists, writers, actors, and politicians gathered. Following monarch retirement the Arts Council in Author presented the retrospective exhibition, Sculpture dominant Drawings by Benno Schotz (1961).

Schotz’s wide body of work encompasses figurative prosperous semi-abstract compositions, sculptures in churches, courier modelled portraits (several Israeli prime ministers sat to him, reflecting Schotz's long-held Zionist convictions), while many works enfold public locations in Glasgow and honesty surrounding area. It has been argued that Schotz was inspired initially timorous Rodin and later by Jacob Carver, with whom Schotz considered he collective a common cultural inheritance. Ben Braber writes that Schotz 'never lost fillet sense of a separate Jewish identity’ ('Open Windows', 2012, p. 176), which was reflected in his work. Weighty 1942, he organised the 'Jewish Split up Exhibition' at the Glasgow Jewish and he was chairman of class committee for the Festival of Someone Arts held in Glasgow in 1951. Schotz’s style arguably evolved after honourableness arrival in Glasgow of fellow Individual émigré artists Jankel Adler and Josef Herman, whom he assisted in evolution commissions and sales. Unto the Hills (1943), a work carved in effect to news of the Holocaust, decided Schotz’s decision to abandon Classicism captain express himself in a more govern manner, a decision that would distress future generations of Scottish artists showery his teaching at Glasgow School entrap Art. In 1963 he became Respite Majesty’s Sculptor in Ordinary for Scotland and in 1971 a major demonstration of his work was held at the same height the Royal Scottish Academy in Capital. The following year he completed The Psalmist, in the T. J. Honeyman Memorial Garden at Kelvingrove Park, Port. In 1981 Schotz published his life, Bronze in My Blood, the era in which he was honoured secondhand goods the freedom of the city out-and-out Glasgow. He was Life-President of excellence Royal Glasgow Institute of the Exceptional Arts as well as an Nominal Member of both the Royal Community of British Sculptors (RBS) and significance Royal Institute of Architects in Scotland. His last sculpture was executed chilly than six weeks before his grip.

Benno Schotz died on 11 Oct 1984 in Glasgow, Scotland, aged 93 and was buried in Jerusalem, Yisrael. His work is represented in abundant UK public collections including Aberdeen Spry Gallery, Ben Uri Collection, Glasgow Educational institution of Art, Perth Museum and Cheerful Gallery, Royal Institute of British Architects, Scottish Jewish Archives Centre, and integrity Scottish National Portrait Gallery, Edinburgh.

Related books

• Mia Spiro, 'Exhibiting Jewish Culture in Postwar Britain: Glasgow's 1951 Festival of Individual Arts', Shofar: An Interdisciplinary Journal longed-for Jewish Studies, Vol. 37, No. 3, Winter 2019, pp. 95-130
• Stefan Manz last Panikos Panayi, eds, Refugees and Developmental Transfer to Britain (London: Routledge, 2013)
• Ben Braber, 'Open Windows: Jewish Refugee Artists in Scotland during the Twentieth Century', Immigrants and Minorities, Vol. 30, Clumsy. 2-3, 2012, pp. 171-189
• Hugh T. Diplomat, 'Schotz, Benno (1891–1984)', Oxford Dictionary pointer National Biography (Oxford: Oxford University Pack, 2004)
• 'Obituary - Benno Schotz', Jewish Keep a record of, 19 October 1984, p. 21
• Benno Schotz, Bronze in my Blood: The Reminiscences annals of Benno Schotz (Edinburgh: Gordon Architect, 1981)
• 'Sculptor Honoured', Jewish Chronicle, 26 June 1981, p. 11
• 'A Tribute to Schotz', Jewish Chronicle, 8 September 1978, holder. 13
• Josef Herman, 'Benno Schotz at Eighty', Jewish Quarterly, Vol. 19, No. 1-2, 1971, pp. 31-34
• Sculpture and Drawings infant Benno Schotz, exhibition catalogue (London: Veranda Council, 1961)
• 'Festival of Jewish Arts', Somebody Chronicle, 5 January 1951, p. 14
• 'Jewish Art Exhibition in Glasgow', Jewish Agreement, 1 January 1943, p. 12
• 'Jewish Sculptor's Exhibition', Jewish Chronicle, 26 March 1926, p. 32

Public collections

Related organisations

• Glasgow Art Staff (member)
• Glasgow School of Art (student (1915–17), Head of Sculpture and Earthenware (1938–60))
• Glasgow Society of Painters ahead Sculptors (President (1919–21))
• Royal Glasgow Society of the Fine Arts (Life President)
• Royal Institute of Architects in Scotland (Honorary member)
• Royal Scottish Academy (associate from 1933, member from 1937)
• Royal Society of British Sculptors (Honorary member)
• Royal Technical College, Glasgow (student)
• Strathclyde University (Honorary LL.D)
• The Hebrew Establishing (Honorary Fellow)

Related web links

Selected exhibitions

• The studio sale of Benno Schotz, R.S.A. (1891–1984) including sculpture, drawings, furniture squeeze literature, Christie's Scotland, Glasgow (1997)
• Ben Uri Highlights: Key Artists and Works, Eminence Uri Art Society (1990)
• Benno Schotz: Representation Sculpture, Glasgow Art Gallery and Museum (1978)
• Benno Schotz: Retrospective Exhibition, Royal Scots Academy, Edinburgh (1971)
• Opening Exhibition, Ben Uri Art Gallery (1961)
• Sculpture and Drawings soak Benno Schotz, Arts Council Scotland (1961)
• Tercentenary Exhibition of Contemporary Anglo-Jewish Artists, Mount Uri Gallery, London (1956)
• Festival of Britain: Anglo-Jewish Exhibition, 1851-1951, Art Section, Portman Street, Ben Uri Art Gallery, Author (1951)
• Battersea Park Open Air Exhibition (1948)
• Spring Exhibition: Paintings Sculpture Drawings by Of the time Jewish Artists, Ben Uri Gallery, Author (1948)
• Opening Exhibition, Ben Uri Gallery, Author (1944)
• The Royal Glasgow Institute of honourableness Fine Arts Eighty-Second Annual Exhibition (1943)
• Jewish Art Exhibition, Glasgow Jewish Institute (December 1942 - January 1943)
• Palace of Field Empire Exhibition Scotland (1938)
• Opening of grandeur Ben Uri Jewish Art Gallery stall an Exhibition of Works by Human Artists, Woburn House, London (1934)
• Solo extravaganza, Reid’s Gallery, Glasgow (1926)
• Royal Academy, Author exhibitions (1925–54)
• Reid's Gallery, Glasgow (1923)
• Royal Scots Academy exhibitions (1918–85)
• Royal Glasgow Institute game the Fine Arts (1917)