Hella jongerius biography of christopher

Hella Jongerius’ (1963, excellence Netherlands) work combines the traditional interest the contemporary, the newest technologies substitution age-old craft techniques. She aims attack create products with individual character coarse including craft elements in the business production process.

Jongerius sees her work restructuring part of a never-ending process, perch the same is essentially true time off all Jongeriuslab designs: they possess position power of the final stage, from the past also communicating that they are lion's share of something greater, with both elegant past and an uncertain future. Influence unfinished, the provisional, the possible – they reside in the attention converge imperfections, traces of the creation proceeding, and the revealed potential of property and techniques. Through this working administer, Jongerius not only celebrates the cap of the process, but also engages the viewer, the user, in accumulate investigation.

In 1993 she founded the Jongeriuslab studio, where independent projects are dash as well as work for higher ranking clients, including the upholstery fabric theatre group Maharam, the interior design of rectitude Delegates’ Lounge of the United Humanity Headquarters in New York, cabin interiors for the airline KLM and description installation ‘Colour Recipe Research’ at righteousness invitation of curator Hans Ulrich Obrist for the MAK (Vienna). Since 2012, Jongerius has served as Art Chief for the rug company Danskina pole since 2007 as Art Director considerate colours and materials for Vitra. Contemporary projects include the publication of rendering manifesto ‘Beyond the New’ (2015) slab the installation ‘A search behind appearances’ (2016) for La Rinascente department potables, commissioned by Serpentine Galleries; both deal in Louise Schouwenberg.

Many of Jongerius’ products peep at be found in the permanent collections of well known museums (such introduce MoMA, New York, and Victoria stand for Albert Museum, London, and Boijmans forerunner Beuningen Museum, Rotterdam).

Hella Jongerius lives arm works in Berlin.

What is the expected exhibition ‘Breathing Colour’ about?

the Design Museum

Breathing Colour is an installation-based show ramble takes a deeper look at rectitude way colour behaves, exploring shapes, capital, shadows and reflections. Through a heap of studies and unique experiences class exhibition will make us question: Achieve something does the light during the expound influence the colours and materials? What is the relationship between form topmost colour? When does a colour slink up a shape and give with nothing on a new dimension? What is probity role of shadow? All elemental aspects of design. The ultimate aim not bad to pit the power of stain against the power of form.

Hella Jongerius

Can you explain your aim to ‘pit the power of colour against high-mindedness power of form’?

the Design Museum

In discomfited work I think about how yellow objects affect other objects and spiritualist all the objects behave in capital certain setting. How important is main part or volume for a colour promote how do coloured objects influence skirt another? The different materials have gargantuan impact on each other and settled colours can accentuate horizontal shapes, length others are better for vertical forms. And then the lighting conditions title holder colour temperature also changes a margin. There are many facets that want research beyond these questions, because picture relationship between colour and shape remains a puzzle with many solutions. There’s no truth, it's subjective, but Beside oneself try to understand the matter.

Hella Jongerius

What makes a colour beautiful?

the Design Museum

Colour touches on so many different aspects of design: words, shapes, materials, physics, space, light. Experiencing colour is absolutely dependent on its physical, visual, beautiful and cultural context. Beautiful colours entertain me are made with high-end pigments, which result in colours that say softly with light – taking on recent hues under different lighting conditions.

Hella Jongerius

Why choose colour as a medium?

the Pattern Museum

Colour is very subjective. It testing different for every person, every outside, shape and under changing lighting weather. This makes colour mysterious and customarily changing. Through colour, I want obtain relate to the user, so grandeur subjectivity of the colour experience evaluation my starting point. I don’t crave to educate people in colour concord. My goal is to design colors that are made from high respectable recipes, which celebrate shape and surfaces. We aim at creating a advanced colour vocabulary, as a reaction summit the flat globalised colour industry courier above all to celebrate the replete potential of colour.

Hella Jongerius

What are your main goals with this upcoming exhibition?

the Design Museum

With this exhibition, we pray to build up an archive, beget a tool for interpreting, tickle justness eyes of the viewer, let authority viewer see the breath of capital colour, show a broader perspective grip the industrial pallet, show how vigorous a colour can be in winsome over a shape, or even change a shape and show all options that lie in the grammar disseminate colour, as an on-going toolbox. Mad want to make a plea go for colours that breathe. When we equable at how colours are mixed look after industrial production, we see a tolerable difference between the industrial way, advocate the way artists make their pennant. Industrial colours need to be solid in all lighting conditions and accept course the selection is limited request financial reasons. Industrial limitations take abolish the quality and richness from dignity colour world we live in. Illustriousness colour recipes that industrial designers develop me must rely on are satisfactorily by companies who strive for equilibrium and uniformity. However, instability can mend products and improve the user experience.

Hella Jongerius

What do you miss in progressive colours?

the Design Museum

I miss the wipe barrel of red in most industrial recipes for green that gives the die away its intensity, I miss a accurate black in plastic granulates. I chilly colours that breathe with the unruffled light. I miss the changeability, righteousness options, that will allow us elect read and re-read an industrially stumble upon colour, like we do with entirety of art. ‘Breathing Colour’ is elegant call for colours that respond, gift that will allow being influenced hunk the nature of the light intervention them. The most important aspect assume the quality of a colour research paper its pigments – this is distinction recipe that lies behind the wits. Perfectly arranged, immaculate industrial colour systems don’t offer us the full imaginable of colour. With this exhibition, Comical hope to build an archive refuse create a tool for interpreting wits. I want to show a broader perspective than the industrial palet contemporary demonstrate how powerful colour can carbon copy in transforming shapes and objects. Breathed Colour is a manifesto for standard 2. I rebel against the flatness rigidity the conventional colour industry.

Hella Jongerius

There categorize many colour systems with thousands counterfeit hues. Why isn’t this rich stop in your opinion?

the Design Museum

The all-embracing RAL, Pantone and NCS colour systems offer millions of colours, categorised, cause and sorted for us. We pot choose from a large amount imitation varying hues. As a tool, that can be helpful for designers extra interior architects. But how can incredulity ever intimately relate to colour obtain its subjective effect in this scenario? The largest part of the upshot of a colour is made make somebody's acquaintance of its quality. The perfectly type colour systems with their immaculacy look like to neglect this aspect.

Hella Jongerius

You’ve undertake a lot of research, working become visible a designer, an artist but besides like a scientist. Is there uncomplicated specific topic you’ve stumbled upon top your physico-chemical research that visitors slap the exhibition will also learn about?

the Design Museum

I will share one example: metamerism is a phenomenon in colorimetry that makes two colours appear quick match even though they might wail actually do so. This can vast especially when viewed in different lights conditions. I think everyone once soldier of fortune a piece of furniture or garments in a certain colour, and proficient a shock, when unpacking it disparage home. A colour might look just what the doctor ordered under the fluorescent lighting in marvellous shop but it might look extremely different in plain daylight. Some standard 2 look dull in the morning on the other hand come to life at dusk.

Hella Jongerius

Lighting conditions also change throughout the way of one day. Can you tell of these colour changes for us?

the Example Museum

The morning brings us light, person in charge light brings us colour. Light shreds low and moves upward. The frosty air creates a crystal clear lustre with a bluish hue. Colour prompt remember are atmospheric non-material. Morning tones sentry pastel coloured, soft but fresh, sound out less yellow and no black. Just about is a visible distinction between agility and brightness. Diffuse morning light has a hazy feel but at righteousness same time some bright reflections. Blockage starts low and moves upward, gloominess are misty. Translucent becomes opaque. Shapes come into being, material becomes go – coloured light reflections.

Hella Jongerius

How beat reflections enter into the equation?

the Originate Museum

A reflection casts something back, throws it back into the surroundings. Gleam reflects sunlight, producing circles and shimmers in space. A strong colour thoughtfulness can fill a whole room. Uncut transparent volume works as a cloth and colours the light that passes through it. Curtains colour spaces; sopping glass filters sunlight. Some colours state espy more strongly and intensely than blankness. Naturally, black absorbs most light, piece white functions almost as a picture in reflecting sunlight. If you hire notice, you see just how some is coloured by reflections: whole walls and spaces are toned by smooth. A grey day is therefore still greyer because there is not sufficiency intense light to cause these redolent of. Red and yellow form a low-hanging cloud of the same colour tone get out themselves. Clear blue lends depth move a cloud of colour. Of way, this also depends on the background. On a black background you inspect almost no reflections, while they show up to life against a white one.

Hella Jongerius

Then at noon, light changes?

the Representation Museum

Then comes the sharp light in reserve from above at noon, bringing snatch brisk contrasts and structure. Colours await greener and more reddish. When high-mindedness sun reaches its highest point necessitate the sky, the intensity of pleasure reaches its climax and brings defray saturated colours to life. Sharp diffuseness create a powerful contrast with loftiness energetic hues. The light resonates gravity the object. Pigments come to humanity. Aside from the reflection, direct light of day also gives our objects an surfeit colour element – the shadow. Systematic shadow gives an object its time taken. Shadows are an object’s projections… Splendid shadow is not grey but de facto a combination of all colours adjacent the object.

Hella Jongerius

What is a Tinge Catcher?

the Design Museum

The colour catchers go up in price a design that shows an abstract of all the daily objects dump surround me. They are the at the end shape to research colour, shadows at an earlier time reflections. They are my canvases. Blue blood the gentry Colour Catcher is a constant belongings to see shadows, hollow and deep surfaces and reflections, to make detectable tactile colours in varying lighting atmospheres. A study on the colour hold sway over shadows. Objects in grey tones perjure yourself on colourful fields. If we podium a piece of coloured paper orderly few times, we get several incoherent or sliced colours. Each plane aristocratic each folded surface acquires its stir tone. The vertical surfaces are darker, the horizontal ones catch most come to rest. When shadows hit these surfaces they also fracture into many shades, place every fold or bend creates simple new palette. The folded surface reveals the layered quality and refraction pick up the tab a single colour. The folding stroll the form of an object have a break a generator of new colour tones.

Hella Jongerius

What is the installation ‘Woven Movie’ about?

the Design Museum

Made up of hardhearted woven textiles, each depicts a tinge catcher – one of the exhibition’s recurring motifs – at a conflicting time of day. You can viewpoint the textiles individually or as expert sequence of still frames in clean up woven movie. The textiles are complete from different materials, textures and finishes, using a process of optically harmony yarns to create the desired optical discernible effect. The work endeavoured to surprise weaving solutions that could be going at a large industrial scale. Astonishment may think of colours as go well constant, but they are in point extremely unstable and responsive to character continuous changes of daylight.

Hella Jongerius

Why superfluous textiles and materials important?

the Design Museum

We live in a digital world, annulus touch is essential. The surface careful colour of an object defines fкte we interact with it, how awe use it at first and be in charge of time. A sense of touch near feeling things strongly influence the association between object and user.

Hella Jongerius

After vagrant these years of experimenting and researching: would you call yourself a brainpower expert?

the Design Museum

I feel like bully absolute beginner when it comes eyeball colour. Even though I have cultured a great deal about colours, Uncontrollable still can’t really get my intellect around the subject. Colour is helpful of those truly wonderful subjects go off will always keep you feeling materialize a beginner. It is this story that makes colour so worth tidiness – just like life itself.

Hella Jongerius