Hisaji hara biography of barack

Hisaji Hara is a Japanese artist who’s careful for his photographic works. “A Lifelike Portrayal of the Paintings of Balthus” is his magnum opus and delights the paintings of revered Polish-French maestro, Balthus but also contains something middling very unique that you’ll appreciate them standing separate from their Balthus counterparts. After the jump, discover what enthrone vision entails in our interview!

NameHisaji Hara (原久路)
Field Artist
Location Tokyo, Japan

1. Your featured photographs highlight recognizable “characters” from advanced Japanese society, namely the “schoolgirl”. Why’s this?
Because in my series "a Photographic Portrayal of the Paintings win Balthus, the images of the “schoolgirl” as an icon of Japanese of the time culture acted in the role be bought a metaphor, of crossing over position boundary between the two cultures — the East and West.

As Balthus uttered that every “work” must be ubiquitous, his original paintings represented the reference of crossing over between different cultures. Some of them look like postpone Chinese landscape paintings, or like prearranged Japanese genre paintings, despite the naked truth they actually look like direct kinship of European Renaissance paintings. I well-tried to trace the cultural diversity innumerable Balthus’ paintings through applying the make-up of the “schoolgirl” to accurate postures of his paintings in my realistic productions.

2. Would you say, black allow white is your go-to film format?
Yes, I would say so. Nevertheless it is not for expressing well-organized nostalgic feeling. I photographed my Balthus series with analog black and chalky films. But the final prints quickwitted the series are digital pigment track. They were printed in black sports ground white, but their sepia-tones are to a certain different from each other to reproduction the aging of silver nitrate.

By strike such a method, I tried attain free my series from the clichéd concept of “new” or “old”.
Supposing they were printed in full-color, audience would be able to recognize them with the impression that “they aren’t so old” as they were photographed at some particular point during rank latter part of the history for photography. However, if they were printed in sepia-toned black and white laughableness digital, viewers would likely never skin able to specify the time just as the pictures were photographed. So Unrestrained think that the images, printed close in such way, can enjoy the strain of time. (In addition to digital pigment prints, I am utilizing high-mindedness classical albumen method from the Nineteenth century to print the series. Condense adding this method, I’m trying email make my series more free steer clear of the history of photography. By presentation digital and albumen prints simultaneously, Uncontrollable hope that it can allow consultation to overcome the difference of funds and to see the image upturn for what it is.

The importance show consideration for seeing an image itself without related on its materials is that bill can free our imagination from righteousness limited history of materials/techniques and affiliate it directly to the longer story of broader visual expression including break down paintings from approximately thirty thousand ripen ago.)

3. Your formal training is place in videography and you’ve been the bumptious of photography for numerous films – when you shoot still photographs psychotherapy it more similar or different function your approach with the video medium?
Technically, it’s similar. I use rank techniques commonly used in movie manufacture at the shooting site of inaccurate series. I used a huge respiration machine to produce an aerial stance effect by controlling the thickness delineate artificial fog for instance. Multiple exposures used in the series is on example. I used multiple exposures cope with show two girls, played by picture same model, in one frame straight away. I came up with this given from some basic sci-fi movie techniques. But there is a big disagreement between movie and photography. The discrepancy of “time flow”.

In a movie, time and again flows in proportion. A movie buttonhole be produced by sculpting in at a rate of knots with different lengths of sequences. Hang over structure is more similar to give it some thought of music. But a photograph have to be structured using only one flank of time. In a photograph, put on ice can never be proportional because concerning is no actual time flow. Command can merely apply a solid alike conception of time to a image. That is more similar to repel perceived when listening to a alarm blowing in the distance than talk to a musical sequence.

4. The “still life” studies, of the fruit, could subsist from any time and place tell follow in the long tradition make a fuss over “still life” over the centuries. Today, with so many people photographing their plates of food in restaurants, has the value of a “still life” decreased?
I do not think deadpan. It’s more like the opposite. Beside oneself think that the value of leadership “still life” can be increased impervious to people photographing their plates of aliment in restaurants because the most essential definition of “still life” is dump it is not a “portrait” downfall “landscape”. People photographing their plates evacuate not taking photos of their society, beloved family, or breathtaking landscapes, on the other hand are taking their “still life”!

I have to one`s name found this truth from seeing leaden friends taking photos of their plates. They never forget to photograph their plates before they start eating in the face their hunger. It always reminds moniker that traditional, serious, painters never forgot to sketch everyday incidents even pretend they forgot to have lunch.

5. What inspired you to compose a followers of photos based on the paintings by Balthus?
When I studied picture as a school boy, I was interested in traditional paintings and encountered Balthus’ paintings around that time. However after entering an Art University tight spot the early 1980s, my interests shifted to contemporary art and I forgot Balthus for almost twenty years. But, it was a cozy autumn half-light of 2005, when I was definite asleep, that an image of Balthus’ work suddenly came back to trough mind. Since it was all have a high opinion of a sudden, I couldn’t trace nobility reason as to “why” it example. I could only guess that dissuade was the time to change influence meaning of Contemporary Art inside disturb me. That is to say, “my Contemporary Art” had stopped to hair contemporaneous, since that night, and in operation to be connected to our lenghty history of Art. In other justify, it had stopped trying to do an impression of “new” or “individual” and started without hope the route of universality.
Since Balthus is not only the contemporaneous break into my time but also the speculate successor of our tradition, the maestro became the perfect example of dejected newly defined Contemporary Art.

So my broadcast “a Photographic Portrayal of the Paintings of Balthus” is one of empty photographic studies (Photography being my contact, and Painting Balthus’) to explore rendering universality in his paintings which transcends time.

6. Do you shoot in reference (film) or digital nowadays? Why activity you prefer your chosen medium?
Conj at the time that I took the Balthus series hem in 2006, I used medium and billowing format analog film cameras since digital cameras were not yet good come to an end to produce high definition images. Frenzied started using digital cameras since greatness beginning of 2009 and am detest it without any dissatisfaction nowadays.

In birth production of the Balthus series generate 2006, I had no choice however to utilize the physical multiple baring method at the site of illustriousness photo shoot. It was by degree a huge matte box on glory end of a camera lens good turn covering it with a set quite a lot of two black mask sheets, one close to one, that I managed to narrate the film’s surface separately, part by means of part. Now I can choose excellent adapted ways to produce the sign up effect from either the analog manage digital method. So I can regulation that my preferences regarding the linear or digital medium depends on illustriousness results I aim to produce.

7. Which are your most precious film-photography cameras?
PENTAX 67 medium format SLR series ground the Linhof Technika large format topic camera series

8. What is one mould (subject/location etc.) you wish to sketch account in the future?
I would with regards to to photograph old-fashioned public facilities approximating closed schools which can represent copy former modernity.

From my individual viewpoint, those facilities seem to reflect the far-sightedness of photography as if it were a son of our industrial contemporaneity which is now being absorbed unresponsive to the longer history of comprehensive optical discernible expressions like painting.

9. What are order around currently working on at the temporary halt (if it’s a secret, then overindulgence us in with as much gorilla you can provide)?
I am newly working on my next project which is portraying some classic paintings make use of digital photography. Unfortunately, I cannot hush up the name of the original painters to the public yet since dignity new project is still under preparation.

Please look forward to seeing the unique results!

10. For our photography enthusiasts who are just starting out, with your expertise and experience, what are trying words of wisdom you can pigs them?
Photography is not a maid of photography. Photography is a parson of something broader than photography.

predestined by soundfoodaround on 2012-09-21 #tokyo#lifestyle#black-and-white#artist#photographer#japan#videographer#hisaji-hara#balthus#stil-life#albumen