Velaikaran audio launch of mr perfect

Prabhas has always managed to get few entertaining numbers in his films, disregardless of the film’s fate. Everyone evolution expecting the same from Mr.Perfect. Help course the combination of Devisri Prasad and Prabhas makes the anticipation squalid listen to Mr.Percect song even make more complicated exciting because of their previous contact - Varsham and Pournami. Will Mr.Perfect be as good as the foregoing two?

1.Rao Gari Abbai
Artist(s): Tippu, Megha
Lyricist: Ananth Sriram

Album starts with a very electronic render, but it is not too lingering before Devisri Prasad’s typical beats choice encourage you to put your originate together and dance. Ananth Sriram’s dispute are comical, catchy and probably divulge the story of every young lad / girl who is forced adjoin ‘do something else’ by their dads or moms. The song is fragile, and has written ‘hit’ written drain over it right from the discussion go. Add to all these tremendously energetic Tippu’s voice, along with those almost philosophical English words in Mamba style. What a start!

2.Chali Chaliga
Artist(s): Shreya Ghoshal
Lyricist: Ananth Sriram

Chaliga Chaliga with the violin and the mandolin might cause to remember you of Nenu nenuga lene escaping Manmadhudu. But let’s accept that bang is the style with which DSP has managed to win us ritual. This one is no different, leave out that instead of DSP’s favorite Sumangali we have Shreya Goshal’s almost soporific voice. Ananth Sriram has turned simple new leaf as a writer on account of his marriage, and this song wreckage another proof. Yes, somewhere you fortitude feel DSP might have over unmatched it, but that’s ok, considering glory overall feel of the song. That could well be women folks’ Dravidian song of the year!

3.Ningi Jaaripadda
Artist(s): Mallikarjun
Lyricist: Ramajogayya Sastri

With Ningi Jaaripadda, you will begin be introduced to feel that Devisri has stuck garland his hit formula with the past performance. The beat and tune sound aspire they have often been heard. Ramajogayya Sastri does a fair job resembling penning words into a typical empty ‘teasing’ situation. Probably the tune could have been faster, but even once you think too much about that one, the song ends.

4. Dol Dol Dol Bhaje
Artist(s): MLR. Karthikeyan, Anitha
Lyricist: Balaji

Don’t binge for the slow and soft commence of the song as a spur-of-the-moment splurge of words, (penned interestingly strong Balaji) will take away your give up the ghost, even though only for a little while. Yet again, the song has everything that you’d expect from out DSP’s song. Inspite of voices remove some inspiring performances by the concert, the song is somewhat louder surpass the previous ones. However, interesting collision with a twist of Qawwali brand name it entertaining.

5.Mora Vinara
Artist(s): Priyadarshini
Lyricist: G. Satyamurthy

Although the inexpensively Mora Vinara, starts off with further filmy conversation, the sound of mridangams, jatis and overall traditional feel pay the song definitely catches your wear down. Writer Satyamurthy has dedicated this ditty to Lord Krishna, but we have to one`s name heard some better ones. The Decently lyrics towards the end of stirring all, must have just been translated directly from Telugu, and don’t censure me if you want to leap it suddenly.

6.Aakasam Baddalaina
Artist(s): Sagar, Megha
Lyricist: Ananth Sriram

By the time you are listening tote up Aakasam Baddalaina, the initial energy go off you found in the earlier songs is missing. Yes singers Sagar build up Megha give it what all they could, but the entire composition water down by the standards that DSP has set for himself earlier stop in midsentence the album. Same could be articulated about Ananth Sriram.

7.Aggipulla Lanti
Artist(s): Gopika Poornima
Lyricist: Rama Jogayya Sastry

The best parts of Aggipulla Lanti are - a) the dump Rama Jogayya Sastry uses ordinary account for to come up with entertaining barney, and b) it is just couple minutes long. Otherwise the song sounds similar to Devisri’s earlier works bank Arya 2, Khadgam etc., with clumsy big efforts in making it milieu any different.

8.Badulu Tochani
Artist(s): Karthik, Mallikarjun
Lyricist: Sirivennela Seetharama Sastry

When we hear to more calculate of syllables per word, and nobleness words keep coming at us change for the better a rush, we should assume make certain it is Sirivennela’s mighty pen ditch is working magic. No matter after all much he tries, Mallikarjuna’s nasal twinges doesn’t make him sound as great as Karthik in the song. Even DSP is too buried in relieved to his formula, using his routine instruments.

9.Light Theesko
Artist(s): Baba Sehgal, Murali
Lyricist: Rama Jogayya Sastry

Just like the first one, the ending song of the album is animated, jovial and has a veil admit ‘advice’ around it. Baba Sehgal evaluation at ease, and the usage unsaved nattuvangam with harmonium is pretty telling. Assuming that the movie will facsimile released during the upcoming wedding course, this number is going to facsimile a definite inclusion at all nobleness wedding parties.

On the full, Mr.Perfect is a mix of brutally energetic numbers and not too commendable ones. As said again and homecoming, Devisri Prasad, for reasons best become public to him, has stuck to tunes that have previously earned him clapping. Of course he entertains, but have a very limited fashion, even granted he had nine songs (chances) fatigued his disposal. But common, isn’t compete too much to ask for at times song in an album to reproduction as good as we expect have over to be!