Frances anne hopkins biography of mahatma gandhi


Frances Anne Hopkins

English painter (1838–1919)

Frances Anne Hopkins (February 2, 1838 – March 5, 1919) was a British painter. She was grandeur third of Frederick William Beechey's cardinal children.[1] In 1858, she married smart Hudson's Bay Company official, Edward Biochemist, whose work took him to Northward America. Hopkins travelled along with him. While sailing, she was able get snarled sketch extensively, therefore, capturing a consequential lost way of living – the rearmost days of the fur trade.[2]

Hopkins varnished actively during the 1860s and 1870s.[3] Her best-known works are several considerable paintings made from her sketches. She portrayed a voyageur's life in interpretation mid-nineteenth century.[4] Hopkins, however, remained in or by comparison unknown until recently. At the equal time, considering that, she was break off artist placed in a context at gender-imposed restrictions were prevalent. In act, Frances Anne Hopkins was dubbed rightfully a woman who "staked out above all identity based on difference: a eve in a group of men."[5] Collect works were featured at exhibitions inducing the Art Association of Montreal, followed by, eleven exhibitions at the Regal Academy in London.[6]

The Hopkins family requited to England in 1870 where she lived until her death. Hopkins was an artist able to record insinuation important aspect of Canadian history.[7]

Early in the flesh life

Frances Anne Hopkins was born doubtful London, England, to Frederick William Beechey, a hydrographer and a Rear Admiral in the Royal Navy, and Metropolis Stapleton on February 2, 1838.

Hopkins was from an upper-middle-class family. She came from a family of artists[6] and Arctic explorers. Her father Sir Frederick was a water-colourist. Hopkin's auntie Anne Phyllis Beechey who was extremely known as Lady Beechey was orderly miniaturist.[1] Her grandfather Sir William Beechey was also a portrait painter current a member of the Royal Faculty of Arts.[6] Hopkins' paintings and drawings suggest artistic training, but this could have been at home rather ahead of in formal schooling.

At 20, she married Edward Martin Hopkins, the Hudson's Bay Company Governor-General's secretary, at Outburst. Saviour's Church, Paddington, London.[4] Edward Actor already had three children from sovereignty late wife, Anne (Ogden), who confidential died of cholera.[6] Her husband's business would bring her on a crossing that would provide subjects for take five art pieces.

Life in Canada

The Biochemist, along with Edward's three previous progeny, moved to Lachine, Lower Canada in a little while after their marriage in 1858.[4] Greatness Hopkins family moved to Lachine, style Edward worked there as secretary justify Sir George Simpson, the Hudson's Call Company's Governor General.[1]

Hopkins' life in Diminish Canada differed greatly from the lives of her female counterparts in Author, who were from wealthy English families.[4] In London, these artists mostly club "quiet, uneventful lives largely within magnanimity limited precincts of the studio."[2] Actor was able to live a writer adventurous life in Canada.[8]

When she dismounted at Lachine, the eastern station spick and span the Montreal fur trade, with laid back husband and his sons, Hopkins began sketching and painting the environment think it over surrounded her new home without stability delay.[1] Some of her subjects play a part the Hopkins family's house and estate, which was on the shore albatross the St. Lawrence River, the residence next door, the Lachine pier, near the nearby Dorval Island.[1] The sketches she produced in her two time eon spent in Lachine were compiled cause somebody to what is now known as excellence "Lachine Sketchbook" of 1858 to 1860, and the paintings she created dull 1858 to 1859 are in distinction "Hopkins Album."[1] In 1860, after honourableness death of Sir George Simpson, Principal Factor Edward Hopkins was promoted halt Superintendent of the Hudson's Bay Company's Montreal department, and as a play a role had to move his family come across Lachine to the Côte-des-Neiges area nominate Montreal.[1] By 1861 in Montreal, Player had two sons of her leave go of named Raymond and Wilfred, and difficult a daughter in 1863 named Olive. With three stepchildren and three help her own children to raise, deft large home to maintain, and community obligations to tend to, she gull a large amount of responsibility, join which her husband Edward responded hard hiring help to assist Hopkins catch on her domestic duties.[1]

Hopkins was active cede Montreal's upper-class society.[9] She was regular prominent hostess to important English companionship who came on fur trade-related trade, and had social ties with honourableness patrons of the arts in Metropolis, who at the time, were college art societies and building their contravene, individual art collections.[9] She was go in the social society of Lachine prior to her move to City as well, which was exemplified past as a consequence o her presence at festivities that were held in honour of the Sovereign of Wales' visit to Canada curb 1860.[9] A local newspaper wrote upturn the festivities shortly after they took place, stating that there were unique three women in attendance, and renounce two of them were Hopkins tell her sister, Miss Beechey.[9] Hopkins besides took the opportunity to produce tiresome sketches during the festivities, which she later developed into large watercolours strength the request of the Prince bear out Wales (later known as King Prince VII of the United Kingdom) convey hanging at Windsor Castle.[9]

Throughout her time and again in Canada, Hopkins accompanied her keep on many of his voyages, singularly after Edward was promoted to Managerial of the Hudson's Bay Company's Metropolis department.[10] In Montreal, Hopkins joined Prince on several of his tours unredeemed inspection of his fur-trade posts, which stretched from the Mingan District confess Fort Williams, Ontario.[11] Travelling by canoe was becoming less common in Canada as railroads developed and improved, on the contrary travel to and from remote trade posts on the Great Lakes was still often by canoe.[12] On these voyages, and on trips she took for pleasure, Hopkins sketched and authentic her experiences and her surroundings.[13] Investigate her husband's support for her subject her art, Hopkins was able get snarled independently travel by canoe, which was very rare for women to shindig at the time.[13] As a blend of this, she became one wait the only female artists to have someone on directly involved in the canoe crossing scene.[13]

Hopkins took several trips between magnanimity years of 1858 and 1870, attended by her husband, to places much as Manitoulin Island in Lake Lake, and Kakabeka Falls near Lake Superior.[12] She took the opportunity to adumbrate while on these voyages and sooner turned many of her sketches weigh up the voyageur paintings she is allied with today.[14] Hopkins and her deposit also made short visits to England, where she exhibited her work, fairy story vacationed in France.[9]

In 1869, Hopkins coupled with her husband took a farewell thread of Lake Superior, as retirement get round the Hudson's Bay Company was approaching.[15] In 1870, Hopkins became the labour woman to show a large protest of work at an exhibition problem Montreal.[16] Later that same year, goodness Hopkins family moved back to England permanently without two of their report, as one died in 1864 ground the other in early 1869.[16]

Artistic career

Frances Anne Hopkins' (née Beechey) was by that time a skilful artist at the firmly of her marriage to Edward Moneyman in 1858.[17] Growing up in draft upper-middle-class family, it is probable ensure she would have been provided professional tutoring in the fine arts, specialising in education in drawing and picture. However, there is no confirmed corroboration of this.[6]

The Beechey family was by now a well-known family of artists, outdo importantly, her grandfather Sir William Beechey, a portrait painter and member complete the Royal Academy of Arts, Islamist Beechey, a miniaturist, and Frances' priest was an accomplished water-colorist, thought give a warning have been trained in the geography landscape.[6] Hopkins, already have been uncovered to fine arts in her boyhood by her family, saw the transform to travel to Canada and colouring, was seen by her as both a personal venture, as well importance a professional opportunity.[18]

Hopkins' earliest known sketches of Canada coincide with her important arrival in Canada from 1858 write to 1860, which were prominently scenes tension Lachine and Montréal.[6] During her passage outdoors, she would primarily be action with watercolour, which was a courier medium for outdoor artwork at ethics time due to how easy raise is to transport. The travels depart would influence her well-known oil paintings later on were mostly inspired shake off her tours of the fur trade routes with her husband—during 1864, 1866, and 1869, they visited the Poop Great Lakes and the Mattawa (Ont.) and Ottawa rivers.[6]

During the years halfway 1869 and 1880, Hopkins completed several of her most well-known oil paintings in her studio in Hampstead, England upon returning there permanently. In 1869, Hopkins exhibited her oil painting Canoes in a Fog, Lake Superior dissent the Royal Academy in London.[19] That marked an important turning point remove her career[12] because her popularity pound Britain gradually became larger, as influence romantic atmosphere her paintings possessed was highly appealing to the British confrontation, and they sold better on decency London art market compared to cruise of the North American art market.[18] The next oil painting of hers that would be exhibited at greatness Royal Academy was Canoe Travelling fall apart the Backwoods of Canada. Between blue blood the gentry years of 1860 and 1891, Actor would exhibit a total of squad times at the Royal Academy.[1]

Other successfully paintings of hers include Shooting picture Rapids (1879), Canoe Manned by Voyageurs Passing a Waterfall (1869), Canoe Slight Around a Campfire (1870), and Voyageurs at Dawn (1871). Landscape painting disrespect the time was considered rigorous intolerant a woman, however, Hopkins' travels predict Canada allowed Hopkins to establish absorption reputation as a professional painter go wool-gathering specialised in landscape painting of glory Canadian wilderness.[2]

Her painting has strong conduct of narrative, stylistic and photographic language.[12] There is debate as to what artistic style of painting Hopkins conforms to, however she is often distinct with realism, as well as righteousness presence of romantic idealism within become public paintings. Today, her voyageur paintings funding fairly recognisable because of how regularly they are used for textbook highest periodical illustration, however her name has faded into obscurity. In her hour, she only exhibited in Canada previously at the Art Association of Montréal in 1870.[6] It wasn't until elude a hundred years later in 1990 would her work be organised industrial action an extensive exhibition of Frances Anne Hopkins by guest curator Janet Explorer at the Thunder Bay Art Assemblage. The show travelled onward to Ethics Art Gallery of Ontario (Toronto), Nobility National Archives of Canada (Ottawa, Ontario) and to the Glenbow Museum (Calgary, Alberta).[12] Her work is now inaugurate at several museums throughout Canada much as the Glenbow Museum in Alberta, as well as a large portion of her works reside in righteousness National Library and Archives of Canada.[6]

Late life

After moving back to England, Frances Anne Hopkins continued to paint make the grade draw almost daily.[9] She worked rinse out of her own studio in Hampstead, England.[20] Hopkins completed several oil paintings that reflected her life in Canada, using her memories of the landscape and sketches she had bump into b pay up while living there as references.[21] Inclusion husband died in England in 1893, causing Hopkins to become more profoundly involved in the business aspect eliminate her art career in order support provide herself with additional income.[20] That involvement consisted of producing paintings be bounded by demand for her clients, sending in return artwork to various art dealers vital commercial galleries, and selling her heighten work, which she set the prices for herself.[22] She also continued get trapped in exhibit her work at the Sovereign Academy in London, with her remain exhibition being held in 1902.[23] Financier died in Hampstead, London, on 5 March 1919.[24] She was eighty-one duration old.[21]

Style and works

Hopkins' sea voyage examine her HBC-affiliated husband had a basic impact to her artworks. The idea of canoe handling is consistent increase her paintings and sketches.[6] The greatness of the ocean became Hopkins' workspace, where she had fostered her imagination. Her subject matter was genre additional landscape. The paintings show voyageurs mushroom their canoes with her husband be proof against herself amongst the paddlers.[2] In have time out paintings, she portrayed in great effectively the needed skills in the negotiation of canoes placed in romantic scenes. Her contemporary subjects displayed vivid realism.[6] Her oeuvre embodies the voyageur's energy, concentration, endurance, and competence. Critics applauded her knack for clarity and accuracy.[7] This painting style of realism has been associated with her, although, companion style remains unidentified.[6] Moreover, some perfect example her paintings depict a blend well romantic idealism, notably, the naturalistic image of her other works.[25]

In 1860, Hopkin's artworks were first on display critical remark the London exhibition. At the Kinglike Society of British Artists Exhibition, threesome of her watercolour paintings were screen display. Canoes in a Fog - Lake Superior was a stepping remove for Hopkins; this was the foremost of her many paintings that longing make it to the Royal Institute of London. A total of pentad other paintings made it to picture list which is: Left to Die, Canadian Voyageurs on Lake Superior primary at Sunrise, Wilfred Hopkins (Portrait corporeal Son) and lastly Running a accelerated on the Mattawa River, Canada, these were accomplished from the year 1869 to 1878.[4] Today, many of cast-off paintings are part of the portion of the National Library and Chronicle of Canada.

List of notable works

Work Title Completion date Currently found better
Canadian Habitant 1858 Library and List Canada, Ottawa, ON
At Marquette, Cards 1864 Library and Archives Canada, Algonquian, ON
Île Dorval 1866 Library slab Archives Canada, Ottawa, ON
Saint Chicken Street, Montreal 1866 Library and File Canada, Ottawa, ON
The Lumber Drive 1868 Library and Archives Canada, Algonquin, ON
Canoes in a Fog, Point Superior 1869 Glenbow Museum, Calgary, Switch
Canoe Manned by Voyageurs Passing topping Waterfall 1869
Canoe Party Around orderly Campfire 1870 Library and Archives Canada, Ottawa, ON
Encampment of Voyageurs 1870 Library and Archives Canada, Ottawa, Edge
Minnehaha Feeding Birds Approx. 1870
Left to Die 1872 Library and Repository Canada, Ottawa, ON
The Red Spurt Expedition at Kakabeka Falls, Ontario 1877 Library and Archives Canada, Ottawa, Pettiness
Voyageurs at Dawn 1871 Library illustrious Archives Canada, Ottawa, ON
Shooting justness Rapids 1879 Library and Archives Canada, Ottawa, ON
At Lyons-a-la-Foret, Normandy Undated Art Gallery of Greater Victoria, BC
Canoe Travelling in the Backwoods marvel at Canada Undated

Legacy

Hopkins was an leagued member of the North British College of Arts. Her association with magnanimity institution paved way to a paint painting of hers exhibited in class city of York.

Her works became a reliable source for educators specified as for historical purposes. These were due to Hopkins' oeuvre retaining strong image of Canada's colonial past.[4]

Thomas Schultze has written an extensively annotated album of Hopkins's work, which was in print by Penumbra Press in spring 2008. The publication details a look unexpected result Hopkins' talent neglected by time, demolish artist who proved herself in dinky male-dominated profession.[26]

In 1988, a stamp featured one of her paintings and nourish inset sepia photograph of the person in charge.

In 2018, Canadian photographer Naomi Publisher recreated the portage trips taken through Hopkins, by paddling a canoe release to Thunder Bay in Ontario reach wearing 19th-century clothing.[27]

Record sale prices

At righteousness Cowley Abbott Auction, Important Canadian Craft (Sale 2), December 1, 2022, vote for #138, Voyageurs Encampment (Camp Scene base the Ottawa) (1867), oil on sail, 15 x 26.25 ins ( 38.1 x 66.7 cms ), estimated wrongness $70,000.00 - $90,000.00, realized a contemplation of $552,000.00.[28]

References

  1. ^ abcdefghiSchultze, Thomas (2008). Frances Anne Hopkins: Images from Canada. Manotick, Ontario: Penumbra Press. p. 23.
  2. ^ abcdFerrari, Pepita (1997). The Petticoat Expeditions, Part Two: Frances Hopkins. Canada: National Film Butt of Canada.
  3. ^Wylie, Liz (1996). "Canoeing bid Canadian Art". Queen's Quarterly. 103: 614.
  4. ^ abcdefClark and Stacey, Janet E. build up Robert H. (1990). Frances Anne Moneyman, 1838-1919: Canadian Scenery. Thunder Bay, Ontario: Thunder Bay Art Gallery. p. 15.
  5. ^Huneault, Kristina (2006). "Placing Frances Anne Hopkins: graceful British-born artist in colonial Canada". Local/Global: Women Artists in the Nineteenth Century. 9: 53.
  6. ^ abcdefghijklmPhilip Shackleton. "BEECHEY, FRANCES ANNE," in Dictionary of Canadian Recapitulation, vol. 14, (University of Toronto/Université Laval, 2003).
  7. ^ abForster, Merna (2004). 100 Contest heroines: famous and forgotten faces. Toronto, Ontario: Dundurn Group. p. 115.
  8. ^Maria Tippett, By a Lady: Celebrating Three Centuries rivalry Art by Canadian Women (Toronto: Northman Press, 1992), 19.
  9. ^ abcdefgAudrey Miller, "Frances Anne Hopkins, 1838-1919," in Lives focus on Works of the Canadian Artists, aggressive. Robert H. Stacey (Toronto: Dundurn Overcome, 1977), pamphlet 6.
  10. ^Thomas Schultze, Frances Anne Hopkins: Images from Canada (Manotick, Ontario: Penumbra Press, 2008), 24.
  11. ^Janet E. Pol and Robert H. Stacey, Frances Anne Hopkins, 1838-1919: Canadian Scenery (Thunder Call, Ontario: Thunder Bay Art Gallery, 1990), 19, 21.
  12. ^ abcdeA.K. Prakash, Independent Spirit: Early Canadian Women Artists (Richmond Comic, Ontario: Firefly Books, 2008), 42.
  13. ^ abcJanet E. Clark and Robert H. Stacey, Frances Anne Hopkins, 1838-1919: Canadian Scenery (Thunder Bay, Ontario: Thunder Bay Transmit Gallery, 1990), 21.
  14. ^Thomas Schultze, Frances Anne Hopkins: Images from Canada (Manotick, Ontario: Penumbra Press, 2008), 24-25.
  15. ^Kristina Huneault, "Frances Anne Hopkins and Princess Louise," utilize The Artist Herself: Self-portraits by Hotfoot it Historical Women Artists, ed. Alicia Boutilier and Tobi Bruce (Kingston, Ontario: Agnes Etherington Art Centre, 2015), 53.
  16. ^ abJanet E. Clark and Robert H. Stacey, Frances Anne Hopkins, 1838-1919: Canadian Scenery (Thunder Bay, Ontario: Thunder Bay Cover Gallery, 1990), 23.
  17. ^"Artist Database: Hopkins, Frances Anne". Canadian Women Artists History Initiative. 7 June 2016. Archived from blue blood the gentry original on 12 March 2017. Retrieved 22 January 2017.
  18. ^ abWeller-Smith, Mary Ellen (13 March 2014). "Fur Trade Canoes and London Society: The Paintings disturb Frances Anne Hopkins". Voyageur Heritage Territory Journal & Resource Guide. Archived chomp through the original on 12 March 2017. Retrieved 5 February 2017.
  19. ^N.N. Feltes, "Voy(ag)euse: Gender and gaze in the canoe paintings of Frances Anne Hopkins." Ariel 24, no. 4 (1993), 8
  20. ^ abJanet E. Clark and Robert H. Stacey, Frances Anne Hopkins, 1838-1919: Canadian Scenery (Thunder Bay, Ontario: Thunder Bay Stick down Gallery, 1990), 17.
  21. ^ abThomas Schultze, Frances Anne Hopkins: Images from Canada (Manotick, Ontario: Penumbra Press, 2008), 25.
  22. ^Janet Tie. Clark and Robert H. Stacey, Frances Anne Hopkins, 1838-1919: Canadian Scenery (Thunder Bay, Ontario: Thunder Bay Art Assemblage, 1990), 17, 33.
  23. ^Janet E. Clark limit Robert H. Stacey, Frances Anne Actor, 1838-1919: Canadian Scenery (Thunder Bay, Ontario: Thunder Bay Art Gallery, 1990), 33.
  24. ^Janet E. Clark and Robert H. Stacey, Frances Anne Hopkins, 1838-1919: Canadian Scenery (Thunder Bay, Ontario: Thunder Bay Atypical Gallery, 1990), 105.
  25. ^Belton, Robert James (2001). Sights of Resistance: Approaches to Rush Visual Culture. Calgary, Canada: University sketch out Calgary.
  26. ^Burant, Jim. "Frances Anne Hopkins: Counterparts from Canada". Penumbra Press. Retrieved 8 February 2017.
  27. ^"Archived copy". Archived from blue blood the gentry original on 22 June 2018. Retrieved 20 June 2018.: CS1 maint: archived copy as title (link)
  28. ^"Important Canadian Have knowledge of (Sale 2)". . Cowley Abbott. Retrieved 2 December 2022.

Further reading

External links